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Untitled
Julia de Burgos: Soul Rebels series
2006
Acrylic on Burlap
84 " x 39 1/2"
Soul Rebels Series
This is my second portrait of Julia de Burgos in the Soul
Rebels series. I chose to create this one as part of my second installment
of Soul Rebels at El Museo de Arte de Puerto Rico, which opened there
as part of El Museo's Bienal: The (S) Files in March of 2006. Her portrait
may seem unrecognizable to some in that we never see photos of Julia dressed
in this way. I painted Julia as she painted herself in her poetry. There
she would celebrate the image of el jíbaro and the laborers
of Puerto Rico who built and sustained the nation. She would also praise
the machete as their tool and as a weapon towards liberation. It made
no sense for me to paint her in the pretty clothes and makeup that she
criticized in her poem "A Julia de Burgos", but instead to paint
her as the dignified revolutionary that she was.
The work is created on burlap as a symbol of the poverty associated with
farmers and laborers and whom Julia defended in her poetry. The earth
tones of the portrait and the natural fibers of the burlap are a tribute
to the land of Puerto Rico whose crops have dried up under u.s. rule as
its agricultural economy was turned into an industrial one, robbing Puerto
Rico of its self-sustenance and self-sufficiency. Standing in a sugarcane
field of which there are few left in Puerto Rico, her image is inspired
by her poem "Pentacromía". Below is an excerpt:
Hoy quiero ser hombre
Sería un obrero
Picando la caña
Sudando el jornal
Abrazos arriba
Los puños en alto
Quitándole al mundo
Mi parte de pan |
Today I want to be a man
I'd be a laborer
Cutting cane
Sweating the wage
Arms up
Fists high
Taking from the world
My piece of bread |
With these words Julia de Burgos is a Soul Rebel who touches
upon various forms of injustice in Puerto Rico: sexism, hunger, poverty,
classism. She does so however by evoking not a defeated image of the laborer
or machetero (cane cutter), but that of an armed hero(ine), empowered,
ready to fight and to take what is rightfully hers: bread, freedom and
all.
To illustrate the text of her poem, I chose to work in the tradition
of calligraphy in the Puerto Rican poster. Graphic work and printmaking
was a huge genre in Puerto Rico with masters like Lorenzo Homar and Rafael
Tufiño. Although I have been a calligrapher since I was a kid,
it wasn't until recently that I began to consider incorporating the art
form into my paintings. Master printmaker and painter, Antonio Martorell
has been a big inspiration with his incredible use of calligraphy.
Click here to read more on Julia de Burgos and
her work.
© Copyright 2006-09, Yasmin Hernandez. Under no circumstances
should any of the images or content of this site be downloaded, printed
or reproduced without direct permission from the artist.
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