Images of installation details follow text....
The child featured is Yaurel, the son of anti-Navy activists in Vieques.
Vieques is an island municipality of Puerto Rico that was subjected
to 60+ years of military maneuvers by the US Navy. Another island municipality
of Puerto Rico, Culebra, was used for the same purpose until 1975. However
military bomb practices on Vieques continued until 2003. Yaurel's mother
is part of the Guadalupe family, known for its many generations of anti-Navy
activists. Yaurel’s father became involved in the struggle to
stop the bomb practices for environmental reasons, especially after
realizing that his two children, since infancy, suffered from chronic
asthma as a result of the contaminants in Vieques' air.
The painting is created on no ordinary canvas, but the drab green canvas
of a US military tent. I wanted to work with a surface that directly
referenced the struggle in Vieques. In this case these are the same
tents that were set up throughout the island’s beaches so that
the soldiers could practice their war games. It is the war games that
have impacted the environment and health of Vieques and its people.
For the installation I created a fence that was reminiscent of the military
fences that I saw throughout the island of Vieques. I also replicated
the Warning/ No trespassing signs used by the military to block out
civilians from the territory taken by the U.S. Navy. I wanted to recapture
the experience of having to view the beauty of our land from behind
barbed-wire/ razor wire. This is what happened when the US Navy came
in and drove thousands of people off their land, fenced them off and
used the land that previously fed the Viequenses to experiment with
chemical weapons and bombs and to perfect their military strategy.
The fence in this piece not only speaks to the demarcation of military
property versus public property, but also to the idea of displacement,
whether through forced military displacement or through gentrification
as seen in poor neighborhoods of New York City and as is seen with outsiders
now coming in to Vieques to buy up the land and the businesses. The
beach featured in the painting is Bastimento, where a group of Vieques
residents (including Yaurel's family) set up an encampment to protest
an attempt to privatize the beach for the tourism industry which is
continuing the displacement that the Navy began over 50 years ago.
Like Yaurel, many Viequenses today suffer from many contaminant-caused
respiratory illnesses. Furthermore exposure to the chemicals and heavy
metals of the bombings and the radiation of the military radar keeps
the cancer rates of Vieques residents soaring high above those on
the main island of Puerto Rico. Although the bombings supposedly ceased
in May of 2003, the Navy continues to detonate bombs as their so-called
clean-up process. As such the U.S. government attempts to "clean"
their radioactive mess by continuing to release more contaminants
into the air. These contaminants are then carried by the Caribbean
winds directly over the center of Vieques island, where the military
sandwiched the civilian communities, to rain down illness-causing
contaminants on Viequenses.
The BASTA! Installation is but a blink in the long history of imperialism
in Vieques and all of Puerto Rico, but perhaps it could at least inspire
others to learn about (and act upon) the continued struggle in Vieques
and the real effects that war games have on innocent people. If your
travels take you to Vieques, be sure to support local owned businesses
to contribute to the local Vieques economy and not Trump or any other
wealthy foreign investor coming in to exploit a grim history to further
their wealth.
Mil gracias a Ismael Guadalupe y a Emilio "Millo" Figueroa
Encarnación y Elda Guadalupe Carrasquillo por el hermoso modelo,
su hijo Yaurel. And many thanks to all the Viequenses who defend
their right to a peaceful, healthy environment free of contaminants
and who deserve to once again have the prosperous, fertile land and
abundant seas that once blessed the residents of Vieques.