When did you realize that this is what you wanted to do?
My first goal was to be accepted as a dance major at LaGuardia High School.
On the day of my audition, I was feeling very ill. I actually fell during my
audition. Needless to say, I was not accepted for dance, but was offered a seat
for the incoming freshman class in the art department. I vowed that during my
first year I would re-audition and transfer to the dance department. My audition
date had been set, and I felt more confident the second time around, however
some greater force kept me from going. I somehow chose not to attend, even though
I had the audition ticket in my hands. It was a that moment that I knew I had
embraced a new path as a visual artist. I was 14 at the time.
What steps did you take in order to prepare yourself for
the life on an artist?
LaGuardia HS provided with excellent training for 4 years. I then went
on to the Fine Arts Department at Cornell University in Ithaca, NY where I earned
a Bachelor of Fine Arts Degree.
Has it been easy or hard?
It has been hard in the sense that full-time jobs, as most people would expect,
have the highest comfort level. You have a steady income and when you become
older and start thinking of families, for instance I am now 27 years old and
married, things like benefits, such as health insurance and retirement plans
begin to have more value.
Has it been extremely rewarding?
It is extremely rewarding to see your goals fulfilled. I create timelines for
myself with different goals and try to tackle them one at a time. Each time
I achieve one it does wonders for my morale and just makes me a happier and
stronger person. Also rewarding are the opportunities I’ve had to meet
amazing people who support my work, because, like me, they value culture. I
keep finding members of a community of people who love our heritage, our music
and our expressions. It’s wonderful to share my work with them and learn
from what they have to share.
What inspires you?
My culture is my primary inspiration. I love it dearly and see so much value
in even its negative aspects. I am amazed by how dark periods in history such
as slavery and colonialism have brought forth such a beautifully complex and
intricate system of traditions. Our spiritual beliefs are products of this.
I am also inspired by music, another product of this. I never paint without
music. I love Eddie Palmieri and Ray Barretto and would like to one day recreate
their music on canvas, if that’s possible. These two musicians are incredible
examples of the way that African, Indigenous and European elements can blend
to create something that embodies who we are. That’s why I can assure
you that a Puerto Rican or most Latinos or anyone of the African diaspora will
have a difficult time sitting still during a Barretto or Palmieri Jam.
I’m also inspired by love and sacrifice and the understanding of how these two elements dictate the way I relate to my family and they relate to me, the way my parents relate to their own parents and the way traditions are passed down generations. Struggle is also a big inspiration for me. Many beautiful things come out of struggle and although this country likes to see poverty as the cause of many social “ills”, poverty is also the birthplace of amazing traditions and cultural inventions. As a Puerto Rican born and raised in Brooklyn, New York, I see elements of this in my language, my customs and beliefs. It inpsires me because I use my art to document these very valid, beautiful and historic experiences of our people.
In addition to the inspiration I receive for the content of
my work, my husband’s selflessness, patience and constant encouraging
of my work makes it much easier for me to keep doing what I do.
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